AcustiX Instruments

HiQ Orchestral Kontakt Libraries

AcustiX Orchestral Instruments

HiQ Orchestral Kontakt Instruments

Ideally suited for Film Scores, Soundtracks, Television Themes and Game Music

Easy Setup and Playability

Instrument sections are blended over the full keyboard range. Woodwinds, Strings and Brass ensembles each sound as one playable instrument

Stackable Expressions

Expressions can be easily stacked to create one playable instrument, without the need for keyswitching

Compact Size

Carefully selected compact yet expressive samples with the small equipped workstation in mind

Natural Concert Hall Acoustics

Instruments and Ensembles were sampled within their natural concert hall reverberation environment

Composers who inspired us creating these libraries

Bernard Herrmann

Film Score Composer (1911-1975)

"Music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety or misery."

Dimitri Tiomkin

Film Score Composer (1894-1979)

"My fight is for dignity. Not only for composers, but for all artists responsible for picture."

Sergei Rachmaninov

Pianist Composer (1873-1943)

"I compose music because I must give expression to my feelings, just as I talk because I must give utterance to my thoughts."

John Williams

Film Score Composer (1932-)

"Any working composer or painter or sculptor will tell you that inspiration comes at the eighth hour of labour rather than as a bolt out of the blue."

Elmer Bernstein

Film Score Composer (1922-2004)

"I did 10 years of comedies and 10 years of Westerns. I really like to stay away from car chases. I prefer the more intimate film. You have a much more direct association with the emotions."

Ennio Morricone

Film Score Composer (1928-)

"I come from a background of experimental music which mingled real sounds together with musical sounds."

Franz Waxman

Film Score Composer (1906-1967)

His film scores include Bride of Frankenstein, Rebecca, Sunset Boulevard, A Place in the Sun, Stalag 17, Rear Window, Peyton Place, The Nun's Story, and Taras Bulba.

Erich Korngold

Film Score Composer (1897-1957)

"As for my working habits, I like the idea of perfection. If a thing is not right it is done over and over again."

Patrick Doyle

Film Score Composer (1953-)

"It should sound like good music. But basically it should be musical and listenable. And it should be able to, away from the picture, conjure up the same sort of feelings and images that it was meant to on screen."

Howard Shore

Film Score Composer (1946-)

"A lot of what a composer does has to do with storytelling, and there are different ways of fusing music with picture to express different storytelling ideas."

James Horner

Film Score Composer (1953-2015)

"To me, writing and composing are much more like painting, about colors and brushes."

Thomas Newman

Film Score Composer (1955-)

"Music is such an odd thing, when you think about it, behind an image, until you take it away, and then you realize a movie sounds blank without it."

Alexandre Desplat

Film Score Composer (1961-)

"That's why I'm so passionate about making music for movies because you dive in and find the best ideas to bring tolife a collective piece of art."

Elliot Goldenthal

Film Score Composer (1954-)

"I love working with English musicians, especially the strings. They don't play with excessive vibrato. Strings use too much vibrato in the States."

Hans Zimmer

Film Score Composer (1957-)

"Anything can become a musical sound. The wind on telegraph wires is a great sound. Get it into your machine and play it and it becomes interesting."

Jerry Goldsmith

Film Score Composer (1929-2004)

"I like the variety. But basically my choice of films is a small intimate film. Quiet film, no action, just people in relationships. That's what I like the most."

AcustiX Mission Statement

Are you frustrated and tired of hearing your beautiful musical compositions on a standard midi playback device, dreaming how it would sound performed by a great symphonic orchestra. Everybody knows it is almost unaffordable for a starting bright composer to hire a full symphonic orchestra. AcustiX brings this dream closer to realization.

We are aware that it is impossible to simulate the true performance of a live orchestra, especially playing classical or film scores, but the challenge for AcustiX is to come as close as possible. AcustiX outperforms most of today’s synthesizers, especially when rendering classical and film scores. We are committed to bring the most compact instruments on the market, focusing on playability, without compromising on sound quality.

The AcustiX instruments were created with the ultimate purpose of giving your midi composition the best performance it deserves. The AcustiX instruments are primarily aimed at rendering classical and film score music as these require the highest fidelity and are the most difficult to faithfully simulate, but they also perform excellent in all sorts of musical projects like pop, rock, jazz etc. The AcustiX instruments are the result of endlessly fine-tuning and selecting the finest samples.

HiQ Orchestral Instruments

Ideally suited for Film Scores, Soundtracks, Television Themes and Game Music

Easy Setup and Playability

Instrument sections are blended over the full keyboard range. Woodwinds, Strings and Brass ensembles each sound as one playable instrument

Stackable Expressions

Expressions can be easily stacked to create one playable instrument, without the need for keyswitching

Compact Size

Carefully selected compact yet expressive samples with the small equipped workstation in mind

Compatible
Hosts

Orchestral
Libraries

Take a look at our range of HiQ Orchestral Kontakt Instrument Libraries. You can filter by instrument type: Piano, Strings, Winds, Brass.

Filter by Instrument:
1. All
2. Piano
3. Strings
4. Winds
5. Brass

Customer Testimonials

"I enjoyed the sound of the AcustiX Bösendorfer Piano very much! Unbelievable for such a small library! Thank you for creating this one!"

P.S. (Netherlands)

"I listened to your AcustiX Orchestral instruments (Strings & Woodwinds) with great interest, it is certainly on a par with GPO or EWQL SO, and certainly better than most of the packages out there at this time. I'm considering purchasing your pianos as well, they're fantastic!"

M.B. (United Kingdom)

"Outstanding AcustiX Piano's!"

E.J.L. (Argentina)

"Thanks very much. Great sound! (about AcustiX Soundtrack Strings)"

J.S. (Country Unknown)

"I like the "prencence" of the AcustiX Steinway Piano. I play jazz piano."

A. (Italy)

"Your AcustiX Steinway Piano sounds great!"

J.R. (Country Unknown)

"Nice stuff! (About AcustiX SteinWay Piano)"

D.B. (Belgium)

"The AcustiX Bösendorfer and Steinway Pianos sound very good!"

H.M. (Country Unknown)

"Your AcustiX Bösendorfer Piano sounds so convincing real compared to other digital piano's, so I decided to buy one. Do you guys realise how good this piano sounds? Congratulations!"

P.T. (Netherlands)

"You have one of the best samples out there :-) (About AcustiX SteinWay Piano)"

G.H. (Switserland)

"At first I wanted to buy the AcustiX Bösendorfer, because I like it's sound so much. After listening to the AcustiX Steinway Piano, I even liked that more, so I bought that one. I am very satisfied with the sound and balance of the Steinway."

P.J.A.B. (Netherlands)

Feel free to contact us

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AcustiX Instruments

AcustiX Orchestral Instruments